Because of these reasons, in non-variable fonts, some vendors use 250 for “Thin” and 275 for “Extra Light”, reverting to the spec only when weight hits 300 for “Light”, and heavier weights. It is also important to keep the numbers different for different weights in your family, and to keep different weights in the correct numeric order, as some apps use this weight number data to sort fonts in their font menus. Although in theory the weight number can be any number in the range, there can be some advantage to keeping the number in multiples of 100 (for compatibility with CSS3 and earlier) and also to keeping it at 250+ (for compatibility with some older programs, particularly on Windows). The number associated with weight is equivalent to the “usWeightClass” in OpenType fonts and also to a numeric “font-weight” in CSS. The numeric weight is a number from 1 to 999. We recommend you limit yourself to 32 characters and plain ASCII again. The text label can be anything you want, although FontLab supplies some common weight names and their corresponding numbers. “Weight” is a text label, as well as a number. If you need more explanation, or you want to control the Style Groups (which family members link with “bold” or “italic” styling), or make sure fonts work in older Windows apps, then read on. If you don’t have any special needs, the Build names diamond button can take care of everything else. Click on the Auto button at the right to update TSN if you adjusted “Weight,” “Width,” “Slope” and “Other”. They all are combined in the “Style” field which is actually called the Typographic Style Name (TSN). Each font in your family should have a unique combination of these four values. The first character should not be a numeral (so “1947 Cars” is unwise, but “Cars 1947” is safe.)Īdjust “Weight,” “Width,” “Slope” and “Other” as needed for different family members. We recommend sticking to plain ASCII characters for maximum app compatibility. Limitations: maximum 31 characters for compatibility with MS Office, or 63 characters otherwise. When you are adding a style to an existing family, you usually want to keep the same family name. This is the Typographic Family Name (TFN) which is shared by all the fonts in a typographic family – which can have any number of members. One can also use the Font Info panel it exposes less information, but it can remain available while working in other windows. Naming is usually done in the Font Info dialog, which exposes all information one might possibly need. This can work for one font, but as always, if you have more than one font with the same name, that would cause conflicts.) (Note: File > New Font just creates a font with “Unnamed” as the family name. This is why the “Welcome” dialog allows you to name a font as part of creating a new font. Without valid name data, a font won’t work at all. From just a family name, FontLab can generate a working font, if there is just one style. There can be many name “fields” in a compiled font. Making a Font From Color Vector Graphics.Detecting Element References or Composites.
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